Yamaha at NAMM 2026: Chris Buck Revstar, Pacifica SC & 60 Years of Guitar Innovation Some brands chase nostalgia. Yamaha builds forward. At NAMM 2026, I spoke with Andy Winston to talk about 60 years of Yamaha guitar design—and why this company keeps delivering instruments that punch way above their price point.
60 Years Forward: Yamaha at NAMM 2026
Yamaha at NAMM 2026: Chris Buck Revstar, Pacifica SC & 60 Years of Guitar Innovation
Some brands chase nostalgia. Yamaha builds forward.
At NAMM 2026, I spoke with Andy Winston to talk about 60 years of Yamaha guitar design—and why this company keeps delivering instruments that punch way above their price point.
The conversation started with the Chris Buck Signature Revstar. Buck is the guitarist for Cardinal Black, and he's earned his own model. The specs tell the story: overwound P90 pickups for a hotter sound, wraparound tailpiece with adjustable saddles, stainless steel frets, lightweight tuners, and those old-school inlays from the first-generation Revstar. No boost circuit. Buck wanted it stripped to essentials.
Then Andy dropped a tease: Matteo Mancuso is getting his own Revstar this summer. The Italian virtuoso. That's a statement.
We moved to the new Pacifica SC—Yamaha's answer for T-style players. Humbucker in the neck, single coil in the bridge, and pickups designed in partnership with Rupert Neve's team. The boost circuit under the bridge pickup gives you five sounds from two pickups. Made in Indonesia at $999 or Made in Japan with compound radius fretboard and IRA wood treatment at $2,199.
I bought my nephew a Pacifica. Entry level, around $200. It works. That's Yamaha's philosophy—you can start at $200 and work your way up to a Mike Stern signature model without ever leaving the family.
But here's what stuck with me.
Andy said something that defines Yamaha's approach: "We don't do reissues. You're never gonna see us reissue a 1972."
Sixty years of guitar history, and they're not looking backward. The Revstar draws inspiration from the 1970s Super Flight, sure—but it's chambered mahogany, tuned to eliminate harsh mid-range frequencies. Yamaha builds pianos, violins, marimbas. They know how to tune wood. They apply that knowledge to electric guitars in ways other companies don't.
The BB Bass series came next. String-through body with 45-degree break angle. Extra bolts pulling the neck tight into the pocket. A maple stripe running through the center of the body for note response. Active/passive switching. Five-ply neck. Professional features at prices that don't require a car payment.
"We give people more instrument than what a price tag says," Andy told me.
That's not marketing. That's mission.
Before we wrapped, Andy shared a personal story. In 1977, hair down to his shoulders, bell bottoms on, his mom decided he was serious about guitar. She bought him a Yamaha FG-75. His first real acoustic. He doesn't have that one anymore, but he found a replacement. Had to.
That's brand loyalty earned over decades. Not through heritage mythology—through instruments that work, that last, that give players what they need without emptying their wallets.
Sixty years of guitar design. No reissues. Just forward.
Yamaha keeps proving that innovation and accessibility aren't mutually exclusive.
Marco Ciappelli interviews Andy Winston from Yamaha at NAMM 2026 for ITSPmagazine.
Part of ITSPmagazine's On Location Coverage at NAMM 2026.
🌐 https://www.itspmagazine.com/the-namm-show-2026-namm-music-conference-music-technology-event-coverage-anaheim-california
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Andy Winston
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At NAMM 2026, Marco Ciappelli interviewed Andy Winston from Yamaha about the brand's commitment to innovation, value, and artist collaboration—celebrating 60 years of guitar design.
Winston unveiled the Chris Buck Signature Revstar, built for Cardinal Black's rising guitarist. The model features overwound P90 pickups, wraparound tailpiece with adjustable saddles, stainless steel frets, and old-school inlays—all per Buck's specifications. Winston also teased the upcoming Matteo Mancuso Revstar arriving Summer 2026.
The new Pacifica SC targets T-style players with a humbucker in the neck, single coil in the bridge, Rupert Neve-designed pickups, and Yamaha's signature boost circuit—delivering five sounds from two pickups. Available at $999 (Indonesia) or $2,199 (Made in Japan with IRA wood treatment).
Winston explained Yamaha's philosophy: no reissues, only forward movement. The Revstar draws inspiration from the 1970s Super Flight but incorporates modern chambering that tunes the wood to eliminate harsh mid-range frequencies.
On the bass side, the BB and TRBX series offer active/passive switching, string-through body construction, and professional features at accessible prices. Winston's message was clear: "We give people more instrument than what a price tag says."
Marco Ciappelli:
"I'm a proud owner of a Revstar myself."
"There's passion for what you guys do."
Andy Winston:
"We don't do reissues. You're never gonna see us reissue a 1972."
"We give people more instrument than what a price tag says."
"We don't need your car payment or a house payment for a new instrument."
"What Yamaha knows how to do—being that we build violins and pianos and marimbas—is we know how to tune a piece of wood."